I attended the 8th World Bonsai Convention, April 27-30, 2017, at Saitama City, Japan. The exhibition and vendor Satsuki Azalea Bonsai were beautiful. Here are some photos of the exhibit and vendor trees. The next World Bonsai Convention will take place in Perth, Austrailia in 2021.
Author: George Haas
BONSAI DISPLAY BY JONAS DUPUICH
Our Bay Area Satsuki Azalea club meeting at the Lake Merritt Garden Center in Oakland, on March 23, 2017 was especially interesting and well-attended. The guest speaker was Jonas Dupuich, who brought along a variety of trees and display stands and an extensive knowledge of the often subtle but decisive art of display. Jonas, a founding member of BASA, began his presentation by discussing the different ways azaleas are shown: as purely flower displays, as bonsai with or without some flowers, and as deciduous bare trees so that the development of the structure is paramount. He also provided an excellent handout itemizing how to prepare our trees for exhibit – many reminders that all of us can use at show time.
The interactive presentation began with a discussion of the display stands which ranged from formal to informal, from light colored finishes to darker ones, and from tall or short to flat trays. Jonas explained the uses and placement of these and the other elements of a display, such as secondary trees, accent plants, and scrolls to create a harmonious presentation. Members of the club were called on to express opinions and preferences, and then the somewhat loose set of rules and conventions that govern the art of display were applied to the results to demonstrate how to optimize the final result.
It was of interest to note that many of the “rules” seemed to be principles that a person with an education in design, or one of great sensitivity and some experience, would probably choose to follow automatically. For example, large, strong trees were shown to look their best in the formal style of presentation: larger stands of darker finish, rectangular rather than square shapes, straighter lines, simpler design and uncomplicated appearance. Of course, the opposite was demonstrated to be true as well: more delicate trees looked best on stands of lighter colors, curved legs, oval or round or more square shapes.
Once a tree was properly set, Jonas added accent plants and scrolls that harmonized in color, size and tone, and that accurately suggested the season and geographical area that the artist wished to depict.
The presentation by Jonas was informative and well-paced, with handouts to read and plenty of trees and stands to demonstrate, and he also used the trees and pots and ideas that members brought in the process. This high quality of presentation and thorough approach can always be expected from him, and it was a pleasure to participate.
– Chris Ross
Let’s begin promoting our annual show!
On February 23, 2017, at the Bay Area Satsuki Aikokai club meeting, Darren Wong gave the members a demonstration on “approach grafting” of Satsuki azalea bonsai. Approach grafting is the use of two live branches and fusing them together. Darren used a couple of Satsuki azalea bonsai that members brought to the meeting for the purpose of showing how to approach graft. Some preparation was taken in the first case, that was to lightly wire a long branch in the direction of the second branch or trunk. In this case, Darren could easily bend the longer and thinner branch across the trunk. This long, thin branch was the first-year growth and very flexible. He was going to approach graft or attach the longer branch to the trunk. The trunk being thicker than the longer branch. With approach grafting both branches or branch-trunk combination is being fed by the continued flow of water. Approach grafting provides a good and reliable method for a successful union.
The best time for approach grafting is when the bonsai is in the growing season, like February and March.
The cambium plays an important role in approach grafting like other methods of grafting. This is the union that must meet in order to obtain a successful graft.
Darren first determined where on the trunk he needed to add a new branch. He placed the long, thin branch across the trunk and found the location on the trunk to place a new branch. He proceeded to use a sharp grafting knife to make a ¼ inch long “v” shaped cut in the trunk. The “v” is cut length-wise in the direction you want the new branch to grow. The depth of the cut was approximately ½ the thickness of the long, thin branch. The cut was not very deep. Darren pointed out the cambium as green, lying just under the outer bark. This information tells you the branch or trunk is live and capable of taking the approach graft. He used a woodworker’s carving knife to round out the “v” cut for a more natural fitting.
He then placed the long, thin branch into the cut area to ensure a good fit. Darren then used his grafting knife and fingernail to lightly scrape the bark away on the long, thin branch to expose the green cambium layer. This was done on both sides of the long, thin branch so that the cambium of both branch and trunk touched one another. This will help the grafting take faster.
Darren saw that the fit was good. He then used a small nail with rubber washer (imported from Japan) and hammered it in place to hold down the long, thin branch and placing pressure on the union. Another small nail was used to ensure an adequate amount of pressure was placed on the union of branch and trunk. The nails are positioned one above and one below the branch, hammered into the trunk (see photo).
Darren then applied cut paste, rolling the cut paste in his palms to measure about ¼ inch or more in length, and applied the cut paste to all exposed areas of the union. This step is important to seal in moisture and assist in healing the wound.
Approach grafting another member’s bonsai followed the same steps above. Darren cautioned about watering and handling the bonsai afterwards so as not to disturb the approach graft. He did some light cutting of other branches and tips, but do not cut the tip or branch used in the approach graft. The approach graft will be successful when you observe the long, thin branch grow in size. Darren usually leaves the approach graft alone for two years to ensure it takes and is healthy. At that time, you cut at the base where the grafted branch first enters the trunk leaving the new branch.
GRO is a fund raising project to improve and replace worn out benches, display stands, water systems, and pathways at the Bonsai Garden at Lake Merritt. We are raising $100,000 to make these improvements, and so far have raised slightly over 25%. No such project has been planned since the Garden opened its gate to the public since 1999. Help us meet out goal!
Click the Make a Donation button for more information.
Bonsai Garden at Lake Merritt is having its biggest Mammoth Auction & Sale on February 18 & 19, 2017. They added vendors – total of 27 with 59 tables. The Urban Farmers Store will demo watering systems for bonsai.
- Art of the Daiza, Jerry Braswell
- Back to the Roots Bonsai, Ryan Nichols
- Bonsai Fusion, Kanehiro Hamajime
- Bonsai Tonight, Jonas Dupuich
- Bonsai Travel, Kora Dalager
- Bulls Eye Bonsai, Donald Hoisington
- Carman’s Nursery, Nancy Schramm
- Deadwood Bonsai, Ned Lycett
- Deer Meadow Bonsai, Jim Gremel
- Designs by Glaister, David Glaister
- Designs by North, Stephanie North
- Enchanted Forest, David Chimpky
- GSBF Bonsai at Lake Merritt Museum
- Japanese Sumi-e, Ami Wada
- JT Bonsai, John Thompson
- Ki-No-Toshi Bonsai, Garrett Ryan
- Legacy Oaks, Barry Altshule
- Lone Pine Gardens, Steve Price
- Lotus Bonsai Nursery & Gardens, Bolet Salvador and Scott Chadd
- Mendocino Coast Bonsai, Zack and Bob Shimon
- Muranaka Bonsai, George Muranaka
- Pet Plants, Don Hilbert
- Round Valley Nursery, Ed and Linda Clark
- Seiji Shiba
- Shohin Bonsai Guy, David Gocinski
- Soh-Ju-En Satsuki Bonsai, Darren and Laura Wong
- The Urban Farmer Store, Annex, Richmond, CA
Bay Area Satsuki Aikokai (BASA) club members are a lucky bunch. We have beautiful Satsuki Azalea bonsai to display every year in May. The time that Satsuki Azaleas are in full bloom. But, we also have among our membership experienced teachers and bonsai artists. And on top of that, we have fine quality vendors. I would like to highlight the friendship and resources of Darren and Laura Wong in this post. They together started working on Satsuki Azalea bonsai in the spring of 2001. They completed a three-year course of instruction at El Dorado Bonsai, in Placerville, CA., that taught the Japanese ways of styling, cultivating, and maintaining healthy Satsuki azalea bonsai. In 2005, they were accepted as students by Mr. Sushio Nakayama in Japan. Both travel back to Japan two to three times a year to study with their sensei Nakayama.
Their main goal is to help spread the art and proper care of Satsuki Azalea bonsai here in the United States.
Darren and Laura import fine quality Satsuki Azalea bonsai and bonsai supplies from Japan. Their business name is Soh-Ju-En, meaning “twin trunk or husband/wife. Essentially, it connotates two working as one.”
Please check out their website at http://www.sohjuensatsukibonsai.com.
Look whose vending at the Mammoth Auction & Sale on Sunday, February 19, 2017:
1. Art of the Daiza, Jerry Braswell
2. Back to the Roots Bonsai, Ryan Nichols
3. Bonsai Fusion, Kanehiro Hamajime
4. Bonsai Tonight, Jonas Dupuich
5. Bonsai Travel, Kora Dalager
6. Bulls Eye Bonsai, Donald Hoisington
7. Carman’s Nursery, Nancy Schramm
8. Deadwood Bonsai, Ned Lycett
9. Deer Meadow Bonsai, Jim Gremel
10. Designs by Glaister, David Glaister
11. Designs by North, Stephanie North
12. Enchanted Forest, David Chimpky
13. GSBF Bonsai at Lake Merritt Museum
14. Japanese Sumi-e, Ami Wada
15. JT Bonsai, John Thompson
16. Ki-No-Toshi Bonsai, Garrett Ryan
17. Legacy Oaks, Barry Altshule
18. Lone Pine Gardens, Steve Price
19. Lotus Bonsai Nursery & Gardens, Bolet Salvador and Scott Chadd
20. Mendocino Coast Bonsai, Zack and Bob Shimon
21. Muranaka Bonsai, George Muranka
22. Pet Plants, Don Hilbert
23. Round Valley Nursery, Ed and Linda Clark
24. Seiji Shiba
25. Shohin Bonsai Guy, David Gocinski
26. Soh-Ju-En Satsuki Bonsai, Darren and Laura Wong
Announcement – Ryan Neil Re-Styling Demonstration March 4, 2017
Ryan Neil will conduct a re-styling of the BGLM’s Rocky Mountain Juniper to be held at the Lake Merritt Sailboat Boathouse from 1:00 to 4:00 PM on Saturday, March 4, 2017. Ryan’s demonstration will be a fund-raising event in support of the Bonsai Garden Revitalization Opportunity (GRO) project. BGLM is raising $100,000 to replace worn out display and seating benches, upgrade water systems and install new pathways and windows. Your participation will help fund GRO.
Tickets are $35 each (tax deductible) and will be available on a first-come-first-serve basis. Tickets may be reserved by emailing email@example.com with the name of purchaser, number of tickets requested, phone number, mailing address, and email address. Once you are confirmed that there is space for you, you will be asked to mail a check or credit card number, expiration date and Zip code to GSBF BGLM, PO Box 16176, Oakland, CA 94610. Once purchased, the tickets are non-refundable.
Ryan’s first appearance as a headliner was at the 2010 GSBF Convention in Santa Clara. The tree he styled was the Rocky Mountain Juniper, which was placed in the auction and purchased by BGLM board member, Andrea Burhoe. Subsequently, Andrea donated the bonsai to the BGLM. Ryan cared for the bonsai at his studio in Oregon from 2010 to 2015, when it was moved to the Garden and placed on permanent display.
Ryan was a headliner in the most recent 2016 GSBF Convention in Sacramento. He was born and raised in Colorado, where he became interested in bonsai at an early age. He studied horticulture at the California Polytechnic State University in San Luis Obispo. Upon graduation, he spent six years under the apprenticeship of Mr. Masahiko Kimura, “The Magician,” Japanese master of contemporary bonsai. In 2010, Ryan settled in Oregon to pursue the creation of Mirai – a prime bonsai school and nursery. In 2015, Ryan and his wife, Chelsea, hosted the first Artisans Cup at the Portland Art Museum, a one of a kind exhibition of fine bonsai. Ryan travels throughout the United States and around the world to perform demonstrations, lectures, and to judge and critique exhibits.
I hope you can be with us on Saturday, March 4th in a beautiful setting for a fun afternoon with Ryan.
Joe Byrd, Chairman
VISIT OUR WEBSITE http://gsbf-lakemerritt.org
It’s coming, February 18 and 19, 2017. The biggest bonsai auction and sale ever. Auction on Saturday – includes quality old bonsai and stands from the Frank Bardella collection. Sale on Sunday – includes 18 quality vendors. Buy lunch while waiting for the auction to begin or between shopping for bonsai wares.